Since he came on the scene, Nicholas Payton has been known for his killer technique and big sound. Listening to him you could easily hear the influences of Freddie Hubbard, Lee Morgan and Woody Shaw ? all cats who could make flames jump out the bell of their horns. It would be a safe statement to say that Nick can pretty much do it all when it comes to trumpet. While some may argue that this recording lacks the fire of his previous works, to me Into the Blue feels like new chapter in the musical life of its composer. I find it to be more honest and real than anything he has released to date and because of that I consider it his best thus far.

I read one comparison between Into the Blue and the Miles Davis classic recording of Kind of Blue and there is evidence to support that statement. While Nick may be known for high energy, several songs feature some of the most soulful, melodic and thoughtful playing that I’ve ever heard from him or any other trumpet player. “Drucilla” starts off melancholy and moody before gradually transforming into a swinging affair that ends far too soon.  “Let It Ride” and “The Backward Step” also feature the same fantastic playing.  When I caught Nicholas at Blues Alley a few weeks ago he had added lyrics to these tunes which makes sense when you hear them. They practically scream for words. He also lends his voice to the tune “Blue” following in a long line of trumpet players who also sang (Louis Armstrong, Chet Baker, and Clark Terry to name a few). “Triptych” and “Nida” remind me of DC’s homegrown sensation of go-go. Both are groove based and feature in the pocket percussion.

What is amazing to me is Nick?s transformation with regards to sound and style. Even his phrasing feels different. Needless to say I enjoy this album very much. Run (do not walk) to the store and pick this one up.  Feeling lazy?  Pull iTunes and download it.  You will not be disappointed.